Bhadboi OML’s “Kaizen” EP serves as a bold statement of artistic evolution. Taking its title from the Japanese philosophy of “continuous improvement,” the project sees the Lagos-born singer moving beyond his “street-pop” origins to pioneer a more refined, experimental sound he calls “Apala Pop.”
The standout feature is the introduction of “Apala Pop.” On the hit single “Oversability,” OML fuses traditional talking drums and Apala rhythms with contemporary Afrobeats, creating a sound that feels both nostalgic and fresh. “Child’s Play” cleverly flips Tony Tetuila’s 1999 classic into a moody, slow-burning trap ballad, proving that OML can honor his predecessors while making their influence entirely his own.
“Kaizen” is more than just a collection of songs; it is a bridge between generations. By slowing down Afrobeat tempos to match trap energy and letting guitars “speak” like talking drums, Bhadboi OML proves that traditional rhythms are not relics of the past but tools for the future. It is a highly recommended listen for anyone interested in the “new wave” of Nigerian street music.
